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STEPHEN WILTSHIRE CLUB

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Testimonials

At 72 I remember you from your first publicity. I thought you were a very dear, talented boy and have followed your progress over the years. The first I recall being in 1987 QED film and I have the cutting re film from 1991!! Stephen you are well established now and well deserved. Long may it last as you give so many so much pleasure. Best wishes from an old admirer.(Patricia) READ ON...

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Visit my Archive London Panorama by The Daily Telegraph

London Panorama by The Daily Telegraph

Stephen Wiltshire's signature

 

My story My bestseller books My past and future exhibitions all around the world My documentaries and TV appearances My virtual gallery My prints, calendars and gifts for sale My originals artworks for sale Contact me, the gallery or my agent

 

Read the latest news about me

I will be visiting Shanghai for the first time to work on my new sketch of the city. It will be exciting to view their new skyline and the World Expo with so many pavilions of all the countries.

 

Visit my gallery in London, UK

My London Gallery is open until 17:30 today. Pop In!

 

 

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Frankfurt Panorama

Frankfurt Panorama

 

 

Read what other websites say

This picture depicting the London skyline in fine detail was drawn after just one flight over the city and purely from memory. Stephen Wiltshire, who was diagnosed with autism at the age of three, memorised the appearance and position of hundreds of London`s buildings in exact scale during a helicopter ride along the Thames. Over the next five days, the 33-year-old drew the seven-square mile panorama, including landmarks such as the Swiss Re tower, and Canary Wharf, on a 13ft curving canvas. (Thisislondon.co.uk) READ ON...

 

Oliver Sacks

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"It has often been said that savants have photographic or eidetic memories, but as I photocopied Stephen's drawings I thought how unlike a Xerox machine he was. His pictures in no sense resembled copies or photographs, something mechanical and impersonal - there were always additions, subtractions, revisions, and, of course, Stephen's unmistakable style. They were images and showed us some of the immensely complex neutral processes that are needed to make a visual and graphic image. Stephen's drawings were individual constructions, but could they be seen, in a deeper sense, as creations?"

(Dr Oliver Sacks, An Anthropologist on Mars: Seven Paradoxical Tales, Picador, 1995)

Oliver Sacks

 

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